Map of the Holy Land

by Pierre le Rouge 1488

Pierre le Rouge, French, 15th century after Lucas Brandis de Schass, German, 15th century
Map of the Holy Land
Woodcut on two blocks
38.7 x 55.2 cm
Gift of Norman and Frieda Bier, London
© Estate of the artist
Accession number: B95.0684

Photo © IMJ, by Ilan Sztulman

This rare woodcut comes from the French edition of a book by Lucas Brandis de Schass, Rudimentum Novitorum, a history of the world according to the medieval Christian theological view and are considered the first printed maps to be more than diagrams. Oriented to the east and drawn from a diagonal bird's-eye view, it extends from Damascus and Sidon in the north to the Red Sea. Symbolically Jerusalem is located at its center, depicted in the medieval pattern of a city encircled by a wall. Two additional walls have been added in accordance with Josephus Flavius. Acre is represented as the second city after Jerusalem, in commemoration of the Crusader period. Major scenes and characters from the Old and New Testaments are portrayed. Small silhouette-like figures represent pilgrims, while personifications of the celestial directions in the form of human heads frame the map. The medieval text was written by Burchard of Mount Zion, a thirteenth-century Dominican priest who spent ten years in the Land of Israel and probably served as the broad basis for our map. The map by Brandis de Schass bears very little resemblance to previous treatments of this subject and therefore remains a singular document, an extraordinary relic in the cartographic history of the Holy Land. One of the deepest implications of the notion of "holy place" in mythology and theology is that it is the center of the world. The axis mundi, that pivot through which, according to various beliefs, heaven and the underworld are connected, is the center from which the universe evolved. According to Jewish tradition, this axis passes through Jerusalem, where the Foundation Stone (on which the entire world rests) and the Holy of Holies are to be found, and where man was first created. The absolute holiness of Jerusalem and the Jewish and Christian notion that it is the "navel of the world" is thus also expressed in the art of cartography.Publications:
Tishby, Ariel, ed., Holy Land in Maps, The Israel Museum, Jerusalem, 2001, English/Hebrew
The Israel Museum, Publisher: Harry N. Abrams, Inc., 2005
Zalmona, Yigal, ed., The Israel Museum at 40: Masterworks of Beauty and Sanctity, The Israel Museum, Jerusalem, 2005